Creative Character Design Techniques with Neville Page

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Neville Page (Gnomon Workshop) - Creative Character Design Techniques 2010

Instructor Bio: Neville Page was educated at the Art Center College of Design in Pasadena, California. Although its main product was the design, he always gravitated towards entertainment. With the combination of his education and personal interests, Neville became involved in a variety of projects from design and sculpture at creature design and engineering. Its clients include Universal Studios, Warner Bros., 20th Century Fox, Mattel, and BMW to name a few. He has worked on films such as Minority Report, Planet of the Apes, X-Men 2 and 3, The Lion, The Witch and The Wardrobe, Superman Returns, James Cameron's Avatar, JJ Abrams Cloverfield JJ, Zack Snyder, The Watchmen, Louis Leterrier, The Hulk, Star Trek and JJ Abrams. Neville has also taught at the Art Center College of Design (Pasadena and Switzerland), Otis College, Gnomon Workshop and of the company.
Chapters
1. The Importance of Research and Anatomy - Acquiring and Understanding
2. Who s in Control - Loose Scribbles
3. Silhouette Design - Searching and Filling in the Black Space
4. Symmetry Sketching - Working in Mirror Mode
5. Sketching in ZBrush - Manifesting Happy Accidents
Topics Covered:
-)--- Looking at and Understanding Research
-)--- Loose Scribbles Without Much Direction
-)--- Seeing with a Long Leash
-)--- Mirror Sketching in ZBrush
-)--- Allowing the Pen to Direct You
-)--- Working in Silhouette where Proportion is King
-)--- Quick Rendering on the Silhouettes to Describe Form
-)--- Applying Bio Graphics
-)--- Finding the Design (Sneaking Up on It)
-)--- Sketching in 3D within ZBrush
-)--- Making a Symmetrical Sketch Look Asymmetric with Lighting
-)--- Adding Features/Topology along the Way
-)--- Applying Happy Accidents to Create a Face

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3D Character Design Vol.1,2

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Web Design for Developers: A Programmer's Guide to Design Tools and Techniques

Developers don't get to spend a lot of time thinking about design, but many secretly wish they knew how to make their applications look just a little bit better. This book takes you on a journey through a web site redesign, where you'll learn the basic concepts of design, color theory, typography, and accessibility.
You'll learn how to take a sketch and transform it into a digital mockup in Photoshop, and then finally into a working web page. You'll see how to develop logos, icons, and buttons using Illustrator and Photoshop, and then code a web page that will load fast, be easy to maintain, and most of all, be accessible to all audiences.
About the Author
Brian Hogan has been developing web sites professionally since 1995 as a freelancer and consultant. Hes also built small and large web sites and web applications using ASP, PHP, and Ruby on Rails. He enjoys teaching and writing about technology, particularly web design and development.

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Lynda.com - Hello Design, Interactive Design Studio Creative Inspirations

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Digital Tutors Creative Development Advanced Character Modeling in ZBrush and Photoshop DVD-iNKiSO

INSTALLATION
a. Extract
b. Mount/Burn
c. Play & Learn
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Photoshop Creative Issue 11

Techniques
The latest and greatest techniques:
- Make your own graduated photo filters
- Create caricatures with the Liquify filter
- Give your photos a digital makeover
Creative Tutorials
Easy-to-follow creative tutorials:
- Use Photoshop

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Lynda.com Hello Design Interactive Design Studio Creative Inspirations

In this installment of Creative Inspirations, watch an iPhone conduct a symphony orchestra, a golf club sell itself, and a talented designer learn to make a fine espresso as we present Hello Design, Interactive Design Studio.
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Lynda.com Hello Design Interactive Design Studio Creative Inspirations-QUASAR

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Cgmwonline Character Design for Animation With Nate Wragg

ScreenShots:

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Eat 3D - ZBrush Hard Surface Techniques 2

In this DVD, Instructor Mike Jensen is back by popular demand to demonstrate even more hard surface techniques using ZBrush 4 R2. Mike starts off giving an overview of all the techniques and basics that will be covered in the creation of a full armor set. He then starts concepting the character armor and then building out the main shapes for the final. Mike then begins to detail the final armor and brings it all to portfolio quality sculpt. Finally he talks a little about how to pose your model and bring it into 3d Studio Max to render with VRay and then compositing the final in Photoshop.
This DVD is perfect for those who want to learn how to create hard surface character armor inside ZBrush 4 R2.
Home page :

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Gnomon Workshop: Character Design for Games and Animation Volume 2

In this second of two DVDs, Cameron Davis discusses how he brings a character to life by fleshing out the design in Adobe Photoshop

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Gnomon - Techniques of Feng Zhu - Vol 2: Robot Design Refinement and Rendering

Starting with thumbnail silhouettes chosen from the previous lecture, two distinctive designs are drawn, refined and rendered for client presentation. See how two robots, that follow the same brief, can be given strong visual identities through the use of different form languages. The purpose of this process is to end up with a clear presentation of a solid design.
Orignal Provider --> Freshwap.com
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Character Texturing for Production Techniques [FS] [FP]

Description:
BEHIND THE SCENES (BTS) is a new and exciting DVD series developed to showcase the creation of a game cinematic sequence. The series follows a team of artists as they demonstrate their production techniques from concept phase to final rendered animation. In this chapter of the BTS series Ben Neall explores the many aspects of texture creation for the main character Geo. Some of these aspects include techniques such as UVing, Projecting, Texture Painting using 2D and 3D softwares, as well as overviews of shader and render setup. Ben also shows techniques to help the artist in the visual development stage, using compositing software to make real-time decisions. The viewer will also see actual production meetings in which the design and creation of the textures are discussed.
UV Layout for the Head
UV Layout for the Suit
Shaders
Compositing
Texturing Flesh
Texturing the Clothing and Cigar
Creating and Using Reference
Working with the Art Director
01: Intro / First Production Meeting
02: Photo Shoot
03: UVing the Head
04: Texturing the Head
05: Shaders & Compositing
06: Cigar: Start to Finish
07: UVing the Suit
08: Texturing the Suit
09: Second Production Meeting
10: Compositing the Suit
11: Outro

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The Gnomon Workshop A Pungent Character DVD-iRONiSO

In this lecture, David Meng shares his thoughts on how he creates personality and expression in a character bust. He will discuss his thought process behind doing an unconventional take on a traditional creature. The practical aspects of working with plastalina and building armatures will also be discussed. Viewers will get to look, from start to finish, at how David creates a physical clay design maquette for the film industry.
Topics Covered:
Trying to design "sideways"
Materials and Tools
Armature building
Practical techniques and tips for sculpting in plastaline
Creating the major sweep and flow in the forms, establishing attitude from the very beginning
Making a strong design statement with silhouette
Balancing extremes and subtleties in design
Using pose to establish attitude and personality
Using the lines defined by the edges of forms to affect how the viewer "reads" a character, thus giving it "punch"
Methods to keep a fresh eye for your work
Refining sculpture for the purposes of a quick concept maquette
Finding inspiration in unexpected and/or forgotten sources

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The Techniques of Harald Belker 1 Introduction to Car Design and Drawing

When designing automobiles, the ability to sketch well is absolutely essential. The skill of showing a design on paper enables the designer to communicate with others. In a step-by-step demonstration Harald will share his approach to quick sketching, design strategy, styling tips, and the process he takes to finalize a design direction. He concludes with the execution a final line drawing that presents a dynamic view of his vehicle. 1.Introduction 2.White Page 3.Fill the Page 4.Finding a Design 5.A Dynamic View 6.Final Line Drawing 7.Scan Your Drawing 8.Credits Homepage: http://www.thegnomonworkshop.com/store/product/141/ http://fileserve.com/list/YeBeGhS
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Adobe Creative Suite CS5 Design Premium For Mac OS X

Adobe Creative Suite 5 Design Premium software is the designer's dream toolkit for print, web, and mobile publishing. Adobe Design Premium comes with InDesign CS5 Photoshop CS5 Extended Illustrator CS5 Flash Professional CS5 Dreamweaver CS5 Acrobat 9 Professional Adobe Bridge CS5 Adobe Stock Photos Version Cue CS5 Adobe Connect Adobe Creative Suite 5 Design Premium software is the ultimate toolkit for designers who need to express their wildest ideas with precision; work fluidly across media; and produce exceptional results in print, web, interactive, and mobile design. Craft eye-catching images and graphics, lay out stunning pages, build standards-based websites, create interactive content without writing code, and extend page layouts for viewing with eBook reading devices. From business card to billboard, annual report to packaging, Adobe CS5 Design Premium offers designers the complete toolset needed to quickly and reliably produce high-quality, unique, and visually compelling print designs. Adobe Creative Suite 5 Full Version Box. The software is factory sealed never been opened. The software is 100% genuine. This is an academic version of the software. It functions and installs exactly the same as the retail version that you can buy in Office Depot or Staples that retails for much more. The ONLY difference is the price ! This is NOT an upgrade and It does not require a previous version of Adobe Creative Suite 5. The software only works with mac. It does not ask for any academic information. You are eligible for all product updates from Adobe.
Product Features

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Creature Design with Aaron Sims Vol-1

In the first of two DVDs, Aaron Sims illustrates the techniques he uses when designing creatures for movies. As the character

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Lynda com Adobe After Effects CS5 New Creative Techniques

After Effects CS5 New Creative Techniques was created and produced by Trish and Chris Meyer. We are honored to host their material in the lynda.com Online Training Library?.
Chris and Trish Meyer have been using After Effects since version 1.0 and have written ten books about the program, and they are always among the first to dive into each new version and discover what it offers to their fellow motion graphics artists. Chris takes you under the hood and explains how each new feature works in After Effects CS5. This course covers both the technical and creative implications of this latest release, including tutorials on the new Roto Brush tool and mocha version 2, blending modes, text options, and new and improved user interface elements in Adobe After Effects CS5. Numerous examples show the most efficient ways to use the new features and avoid potential pitfalls when applying techniques. Chris ends with a discussion of which users will get them most out of upgrading to After Effects CS5.

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CGMW: Character Design for Animation

About CGMW
CG Master Workshops (CGMW) by CG Master Academy (CGMA) is an online community dedicated to helping artists develop and cultivate their creative talents. Filled with the best possible training around, our online demonstrations will help aspiring artists in their goals of becoming industry artists.
The workshops/classes are taught by the best in the industry; Individuals we like to call "Master's". These artists have years of experience and have worked for many of the major studios (including: Disney, Blizzard, DreamWorks, Pixar, Digital Domain, etc.) or renowned published artists, and are passionate about mentoring the next generation of artists. Our goal is to provide students with an environment that will help them retain the most from their education, in order to help them achieve their goals in becoming professional artists.
Instructor Nate Wragg
Nate Wragg was born in Davis, CA in 1983. He took an interest in drawing and painting at an early age. After graduating high school he studied animation and design at The California Institute of the Arts in Southern California. Since then, Wragg has gone on to work as an illustrator and designer on various projects-including Ratatouille, Toy Story 3 and the soon-to-be-released Puss and Boots. He was one of the primary character designers on the Pixar Feature Toy Story 3.
As well as designing characters, Nate was also the Production Designer of Pixar's short film Your Friend the Rat, and has been involved in designing several main title sequences, most notably the animated end titles for Ratatouille.
In addition to working in animation, Wragg has broken into the world of children's book publishing with his illustrations for Disney Publishing's Too Many Cooks. His work has been shown in various galleries in Los Angeles, as well as in the New York Society of Illustrators 50th Annual Showcase. Nate has recently begun teaching and lecturing abroad. He recently taught a week long workshop on animation design in India, as well as teaching design for animation in Denmark at the Animation Workshop. The artist currently resides in Los Angeles with his wife Crystal.

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Download

CGMW: Character Design for Animation

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